Tag Archives: The Bourne Identity

Edge of Tommorow, Reviewed Today

7 Jun

Edge of Tomorrow has an amazing trailer and lots of good press but it didn’t need those to convince me to see it. I’m not an avid Tom Cruise fan but I think he’s in his element doing sci-fi, maybe that’s because according to some people he’s actually an alien. I don’t believe he’s an alien but I do believe that if he’s in a sci-fi movie with Emily Blunt I’m seeing it. Edge of Tomorrow is based on a Japanese novel titled All You Need is Kill. Don’t worry I didn’t read the book so I won’t be griping about how the book was better. What I will say about All You Need Is Kill is that on a 1 to 10 scale measuring title awesomeness that’s an 11. Why didn’t they call the movie that? Any movie with the title “All You Need Is Kill” is automatically better.

Edge of Tomorrow

Due to how this movie was marketed everybody pretty much knows what to expect from The Edge of Tomorrow. Something the trailer leaves out made me go “Holy Cow, Bill Paxton is in this movie.” He was the best surprise in the movie, other than that, audiences already know the story. Basically Tom Cruise is a fish out of water who’s shoved into a military exoskeleton battle suit and dropped into an alien combat zone. The visuals start off great, it’s like the beginning of Saving Private Ryan where troops assault a beach while taking an onslaught of incoming fire. Its gritty, chaotic, loud, and brutal, only this time there’s slightly futuristic tech warfare involved. Witnessing crashing airships and soldiers twitch in malfunctioning battle armor we know Tom Cruise is a sitting duck. The movie is great at generating that feeling of being exposed, confused, and paranoid, just like Tom’s character. As for the aliens they’re called “Mimics” for reasons I can’t explain since they don’t mimic anything. They kind of look like mechanical cat o 9 tails with dreadlocks and just pop out of the ground randomly and kill you. They could be mimicking antlions I guess. Regardless we never learn what their intentions or motivations are, just that they’re here, they’re bad, get used to it.

It’s not long before a mimic sets its sights on Tom and pounces and they both exchange bodily fluids while dying in an explosion. Tom wakes up the day before he goes into battle remembering what happened / will happen and we get into the main concept of this movie “Live, Die, Repeat”. As Tom accumulates deaths he builds up skills, like outsmarting his commanding officer Bill Paxton who’s portrayal of a stubborn hard ass gets funnier and funnier with each iteration. Tom contacts Emily Blunt’s character Rita whose reputation “Full Metal Bitch” precedes her. She’s a highly decorated military hero who won a previous battle with the mimics inspiring hope for victory in the war. Emily Blunt was spot-on in the movie Looper so I know she can do sci-fi but in Edge of Tomorrow she’s even more impressive. She is a tough no nonsense soldier who kicks ass and never gives up. Emily Blunt makes it easy to sympathize with her character as someone who has lost so much because of this war she’s determined to win at all costs. She’s a merciless ally training Tom Cruise, every time he screws up she shoots him in the head to “reset”. That’s funny too, especially on repeat.

Mimick

This movie is getting compared to the comedy classic Groundhog Day. Okay. But I suggest that Groundhog day is more like Bill Murray living in a rerun of a TV show. While Edge of Tomorrow is Tom Cruise battling aliens until he dies then restarting, which makes it parallel a video game. This is what I find interesting, because I predict we’ll see a trend of video game type movies in the near future. Not movies based off specific video games but movies that use the aesthetics of video games as tools to tell their story. Tom starts with certain goals he has to achieve like learning how to turn off the gun’s safety then dies. Then he re-spawns turns the safety off and sets another goal to work for until he dies. Just like a video game there’s a specific pattern to be learned and once you learn it you repeat the same actions to get to a new situation or level. This replicates some of the fun of playing a video game while also allowing the movie to make fun of itself by having Tom Cruise in on the joke, he knows all the smart ass comments and beats everyone to the punchline. Another thing that makes this movie different from Groundhog Day and keeps it from being too much like a video game is that the ability to reset can be turned off if you’re not careful and can be subverted by the Mimics if they find out you have it. So the resets don’t get boring because this might be the last time it happens.

This movie had a fun concept, a great beginning, and a strong middle, where you learn about the characters and get to watch them grow and pursue different strategies for victory. This often involved lots of fighting between battle suits and aliens and guns and explosions and even a car chase scene. But toward the end of the movie I was very disappointed. Most of the movie looked fantastic except for some shaky-cam here and there. But the end of the movie is very dark so you already have a hard time seeing what’s happening, then it goes full out goddamn shaky-cam, just one long vertigo inducing motion blur. I can’t stand that shaky shit, its only purpose is causing headaches. But that’s what you get from the director of the Bourne movies. I can’t imagine how awful and painful it would’ve been to see the last 15 minutes of this movie in 3D, luckily I didn’t.

 

Carl Wells

A Stupid Opinion about Man of Steel

17 Jun

Battle of Algiers used cinema verite techniques to build up the atmosphere and bring the events of the film to more personal level for the audience. But everyone involved with the film thought, “We really aren’t making the most out of this format. We can really go further.”

Flash forward to Denmark circa 1995, a film collective gets together and tries to create a cinematic movement that will finally be able to use cinema to its fullest ability. But even after their ten-year run that launched/fostered the careers of Lars Von Tier, Harmony Korine and Anthony Dod Mantle, they realized that what they were doing with the medium was still falling short of its potential.

Then in 2002 director Doug Liman and cinematographer Oliver Wood were saddled with an action heavy script and an A-list star who’s most physically active role to-date had been walking around a golf course with Will Smith. They knew they were going to really have to reinvent the wheel to justify their bid for a new product placement franchise. And re-invent they did. They were able to shoot scenes in such a way that they were able to convince people a drama kid could take out a guy with a machine gun using nothing more than a magazine. Even with the mountains of success, they still realize that it wasn’t enough.

Then the mix of Zack Snyder, a billion and one videos posted to YouTube, and the most iconic superhero of all-time, and we finally get the most realistic handheld camera work in the history of cinema. It was just such a pleasure to watch as a man flying across the sky and sliding across pavement and up the side of buildings in the gritty way that cinema verite really aspired to be all those years ago. Finally, everyone can bask in the full potential of movies.

Man-o_Steel_SWOP

That the was the longest most hyperbolic introduction to any Man of Steel review you will read. The movie was a good film, and as Carl correctly predicted there were some cheesy and unnecessary pop songs, it was a tight film that looked pretty good. I can’t remember a second of slow motion footage in an action sequence, and there were plenty of action sequences in the film. As far as comic book movies go, it was of the highest quality. But my stupid opinion about the film goes beyond the confusing choice to give the movie the raw handheld look, I just wonder how long this formula will continue to work for comic book films.  And I can’t even add “spoiler alert” to this because it is in every single blockbuster tentpole film, the equations can vary for the first 40-ish minutes of the movie, but it always ALWAYS ends with the good guy and the bad guy in hand-to-hand close proximity combat at the center of massive amounts of collateral damage.

These films have become the equivalent to the dumb action movies from the eighties and nineties with just tighter fitting clothes. I equate comic book movies to the Doritos of the cinema world. There’s an old suburban legend that Doritos have been so carefully engineered that the taste is supposed to vanish in a matter of seconds after it is registered on the brain, therefore making it so easy to eat an entire bag in one sitting by ourselves. This is what these comic book movies are they keep upping the ante, the effects get bigger, the characters and villains more outlandish and unbelievable, but the story just stays the same. And you can’t just have one, Iron Man 3 broke all kinds of records and Man of Steel is on the same path. There are going to be comic books every summer every year for as long as I can imagine. All I’m asking is can’t there be a different ending to one of them?

When I was growing up, I loved it when people asked what my favorite movie was. I’d think about it and mull over the movies that I’d seen, and I’d finally come to the conclusion that my favorite movie was the last movie I’d seen. Just because that was the way my kid brain worked. I loved going to the movies, and it wasn’t until much later that I realized there was more to films than just the latest thing, and that films were not necessarily better the flashier and more polished they were. As I grew up and narrowed down the films I’d seen I was able to finally name a favorite film just about the same time that comic book movies really began to take off. Can you imagine trying to pick a favorite comic book movie? Well, you’ve got a pretty solid Batman sequel that is slightly ahead over of everything else, but after that. . . their all the same fucking movie. And that’s even before Warner Brothers began to emulate Disney with their plans for a Justice League film.  The Dark Knight is the only comic book film that is coming to mind where the climax isn’t this battle of mass destruction and instead this small battle philosophical battle between hero and villain. I get it, endings are hard, and having a lot of stuff explode is a good way to make people think they’ve got a good ending, when really all it was was a loud ending.

I know that I’m not saying anything new here, Steve and Steve have recently both been claimed the sky is falling when it comes to making movies. I can see a Heaven’s Gate of comic book movies coming right around the corner, but the sad thing is that this film will probably bomb because it tries to do something that is different. I would have loved to see The Avengers by Robert Altman, Fantastic Four by Soderberg, a Wes Anderson version of Aquaman, or a French New-Wave homage to Superman, but I favorite-movied myself right out of the studios key demographic. They have no interest in making movies for me anymore, or really any interest in making any type of movie that is different at this point.

-C. Charles